今天我们来聊聊单身汉的睡帽,以下6个关于单身汉的睡帽的观点希望能帮助到您找到想要的母婴知识。
本文目录
幸福来源于自己的内心。《单身汉的睡帽》出自安徒生《新的童话和故事》第一卷。单身汉彼得认为只有拥有一个睡帽才能拥有幸福的生活。但最终老妇人告诉他，幸福不是外在的东西，而是来源于内心。这个故事告诉我们幸福来源于自己的内心，不要追求虚幻的外在物质，而要从内心寻找真正的幸福。
当认真看完一本名著后，大家心中一定有很多感想，不妨坐下来好好写写读后感吧。千万不能认为读后感随便应付就可以，下面是我收集整理的《单身汉的睡帽》读后感，希望能够帮助到大家。 《单身汉的睡帽》读后感 篇1 这个暑假，我读了许多有趣的故事。其中让我记忆最深的就是安徒生的童话《单身汉的睡帽》。 这个故事讲的是一个德国名叫安东的单身汉的悲惨生活。安东年轻时和一位叫莫利的姑娘相爱，可这事却发生了一些变故，莫利说她从来没有真正爱过安东，而放弃了他。安东伤心极了，可接下来不幸的事情又发生了：一场洪水使安东的父亲破产了，变成了一个穷人，贫病交加，安东的父亲悲伤和苦难折磨得他瘫痪在床。安东不得不从失恋的悲伤中走出来，担当起养家的重任。因此他来到丹麦的一条小屋街为那些富人们干活：卖调味料。这条大街大多数都是和木棚子一样小的屋子，不过干这行的富人规定他们不能结婚。不久，安东的父亲去世了。 渐渐的，渐渐的，安东老了，瘦得象根棍子，脸上全是皱纹，头上习惯性地戴着一顶睡帽。一个人在异国无依无靠，过完了一天又一天孤独地无趣生活。他习惯上了床把自己的睡帽拉下遮住眼睛，往往这时他都会想起自己以前的许多事，想起自己家乡的图林根，眼泪象珍珠一样一颗一颗落下来，这些泪水里都有图片，那就是他和莫利一起度过的快乐时光。这时外面刮着狂风下着大雪。三天后，老安东在床上很渴很饿，可是他一点力气也没有，老安东就这样悄声无息地死了！ 看到这里，我的眼睛模糊了，如果没有莫利的抛弃，也许能组成一个幸福的家庭，没有父亲的破产，没有富人残忍的要求，老安东的生活就不会那么痛苦！那么悲惨！ 《单身汉的睡帽》读后感 篇2 这次军训，天气非常炎热，前不久的军训对我们来说已经不是第一次了，同学们对所学的内容都比较熟悉，每一个同学都能端正态度，把这次军训当作一次学习提高自身素质和锻炼自我、挑战自我的机会。白天，在闷热的三伏天里，在火热的太阳蒸烤下，同学们在训练场上发扬了不怕苦、不怕累的精神刻苦训练，同时还利用中午的休息时间，认真军训心得。 通过这次军训，同学们增强了团队精神的观念，组织纪律得到了提高，培养了同学们，一切行动听指挥的意识，并达到训管结合，培养作风的目的。从训练到日常的军营生活，教官们都严格按照军训军规严格管理，照章办事，做不好从头再来.同学们在训练中在短暂的间歇中，都能严格要求自己，做到准时出操、准时训练、准时休息,达到整齐化一。与此同时对于内务的要求也是非常严格的，例如：叠豆腐块，鞋子按照皮鞋，旅游鞋，凉鞋，拖鞋的摆放要求，统一了标准，并进行了检查评比，规范了同学们的内务秩序。 在这短暂的过程中，让我们这些小皇帝小公主，改变了许多，在第一天见面的时候的，待人接物的方式方法，对待教官的态度要礼貌，一切的一切，全部听从指挥，教官让左手拿牙膏右手拿牙刷，左脚穿拖鞋右脚穿旅游鞋，并在30秒之内下来集合之类的奇怪命令，虽然感到很新鲜但却没有一个人敢有所怠慢，紧张的气氛，随时随地都可以感受到。 在军训期间的某天，恰巧是我的生日，也许有些人认为这很惨，但是我会很自豪的告诉他们，这是我过的最有意义的生日，在我过生日的那一天，部队正好为我们准备了电影，这也许就是部队送给我的生日礼物吧，教官也给我了生日祝福，所以，对于这次生日，我没有任何遗憾。 此外，我的班主任孙老师，是一个负责任同时也是一个心细的老师，她并没有忘记我过生日这件事。在那天的晚上，老师还特意跑来宿舍想为我庆生，但可惜的是，我们因要服从军营的.管理，所以已经熄灯了，还让孙老师白跑了一趟。真是不好意思，在此，谢谢孙老师了。 虽然只和教官相处了7天的时间，但我们对教官的感情可一点不比亲人的少，现在还常常回忆起在临走的前一晚，教官对我们说的那些发自内心，感人肺腑的话语。心里的伤感之情，一波一波地漾了起来。 自军训以来，我深刻地感受到军队生活的快乐与艰辛，意识到军事训练的重要性，这次军训锻炼了我的意志和毅力。同学们的感觉是：苦中有乐，累中有笑，学到了许多课堂上学不到的知识。有的同学身体不好仍带病坚持训练，不拖后腿；有的同学为了不影响班里的荣誉，自己加班加点训练，这种训练劲头，在军训中处处可见，一直坚持到最后。就是由于这种精神，这种风气，这种激情，大大地激发了全体同学的军训积极性，为安全、胜利、圆满完成军训任务奠定了坚实的基础。 《单身汉的睡帽》读后感 篇3 这周，我读了《安徒生童话》这本书，书中讲了22个故事。其中，最喜欢的故事是《单身汉的睡帽》，讲了：在一个偏僻的小山村里，住着一个光棍汉，他家里很穷，没有钱娶老婆。可是，光棍汉很善良，又很勤快，他还有一个超级秘密武器，这个秘密武器是睡帽，只要晚上一戴上它，就会酣然大睡，一睡睡到大天亮，有一天晚上，光棍汉做了个梦，梦中大财主对他说；“小伙子，看到我手上这颗金珠了吗？只要你答应我，在三个月内，每天在第一遍鸡叫之后起床，到我家地里干活，我就送你这颗金珠。你可以拿到我朋友的钱庄里换许多金币，过上好日子。”他醒来，从此不带睡帽了，一连三月，光棍汉每天凌晨借着微弱的月光和星光在大财主的地里拼命干活。三个月后，大财主家的地被光棍汉整得又松又软。大财主看见了，对光棍汉的表现表示满意急了，他毫不犹豫地拿出了这颗金珠，给了光棍汉，就这样他换了好多金币，过上了幸福美好的生活。 这个故事的故事告诉我们，人一定要勤劳，通过自己的双手，改变自己的生活，有了目标后，就要坚持不懈，不怕苦不怕累，不能退缩，勇往直前，一定会达成所愿，就像书中这个光棍汉一样连着三个月把鸡当成闹钟，辛勤劳动，最后得到金珠，过上好日子，才敢戴上那顶睡帽。
安徒生，丹麦19世纪著名童话作家，世界文学童话创始人，因为其童话作品而闻名于世。他通过童话的形式，真实地反映了他所处的那个时代及其社会生活，深厚地表达了平凡人的感情和意愿，从而使人们的感情得到净化与升华。下面我为大家带来经典安徒生童话：单身汉的睡帽，欢迎大家阅读! THERE is a street in Copenhagen with a very strange name. It is called “Hysken” street. Where the name came from, and what it means is very uncertain. It is said to be German, but that is unjust to the Germans, for it would then be called “Hauschen,” not “Hysken.” “Hauschen,” means a little house; and for many years it consisted only of a few small houses, which were scarcely larger than the wooden booths we see in the market-places at fair time. They were perhaps a little higher, and had windows; but the panes consisted of horn or bladder-skins, for glass was then too dear to have glazed windows in every house. This was a long time ago, so long indeed that our grandfathers, and even great-grandfathers, would speak of those days as “olden times;” indeed, many centuries have passed since then. The rich merchants in Bremen and Lubeck, who carried on trade in Copenhagen, did not reside in the town themselves, but sent their clerks, who dwelt in the wooden booths in the Hauschen street, and sold beer and spices. The German beer was very good, and there were many sorts—from Bremen, Prussia, and Brunswick—and quantities of all sorts of spices, saffron, aniseed, ginger, and especially pepper; indeed, pepper was almost the chief article sold here; so it happened at last that the German clerks in Denmark got their nickname of “pepper gentry.” It had been made a condition with these clerks that they should not marry; so that those who lived to be old had to take care of themselves, to attend to their own comforts, and even to light their own fires, when they had any to light. Many of them were very aged; lonely old boys, with strange thoughts and eccentric habits. From this, all unmarried men, who have attained a certain age, are called, in Denmark, “pepper gentry;” and this must be remembered by all those who wish to understand the story. These “pepper gentlemen,” or, as they are called in England, “old bachelors,” are often made a butt of ridicule; they are told to put on their nightcaps, draw them over their eyes, and go to sleep. The boys in Denmark make a song of it, thus:— “Poor old bachelor, cut your wood, Such a nightcap was never seen; Who would think it was ever clean? Go to sleep, it will do you good.” So they sing about the “pepper gentleman;” so do they make sport of the poor old bachelor and his nightcap, and all because they really know nothing of either. It is a cap that no one need wish for, or laugh at. And why not? Well, we shall hear in the story. In olden times, Hauschen Street was not paved, and passengers would stumble out of one hole into another, as they generally do in unfrequented highways; and the street was so narrow, and the booths leaning against each other were so close together, that in the summer time a sail would be stretched across the street from one booth to another opposite. At these times the odor of the pepper, saffron, and ginger became more powerful than ever. Behind the counter, as a rule, there were no young men. The clerks were almost all old boys; but they did not dress as we are accustomed to see old men represented, wearing wigs, nightcaps, and knee-breeches, and with coat and waistcoat buttoned up to the chin. We have seen the portraits of our great-grandfathers dressed in this way; but the “pepper gentlemen” had no money to spare to have their portraits taken, though one of them would have made a very interesting picture for us now, if taken as he appeared standing behind his counter, or going to church, or on holidays. On these occasions, they wore high-crowned, broad-brimmed hats, and sometimes a younger clerk would stick a feather in his. The woollen shirt was concealed by a broad, linen collar; the close jacket was buttoned up to the chin, and the cloak hung loosely over it; the trousers were tucked into the broad, tipped shoes, for the clerks wore no stockings. They generally stuck a table-knife and spoon in their girdles, as well as a larger knife, as a protection to themselves; and such a weapon was often very necessary. After this fashion was Anthony dressed on holidays and festivals, excepting that, instead of a high-crowned hat, he wore a kind of bonnet, and under it a knitted cap, a regular nightcap, to which he was so accustomed that it was always on his head; he had two, nightcaps I mean, not heads. Anthony was one of the oldest of the clerks, and just the subject for a painter. He was as thin as a lath, wrinkled round the mouth and eyes, had long, bony fingers, bushy, gray eyebrows, and over his left eye hung a thick tuft of hair, which did not look handsome, but made his appearance very remarkable. People knew that he came from Bremen; it was not exactly his home, although his master resided there. His ancestors were from Thuringia, and had lived in the town of Eisenach, close by Wartburg. Old Anthony seldom spoke of this place, but he thought of it all the more. The old clerks of Hauschen Street very seldom met together; each one remained in his own booth, which was closed early enough in the evening, and then it looked dark and dismal out in the street. Only a faint glimmer of light struggled through the horn panes in the little window on the roof, while within sat the old clerk, generally on his bed, singing his evening hymn in a low voice; or he would be moving about in his booth till late in the night, busily employed in many things. It certainly was not a very lively existence. To be a stranger in a strange land is a bitter lot; no one notices you unless you happen to stand in their way. Often, when it was dark night outside, with rain or snow falling, the place looked quite deserted and gloomy. There were no lamps in the street, excepting a very small one, which hung at one end of the street, before a picture of the Virgin, which had been painted on the wall. The dashing of the water against the bulwarks of a neighboring castle could plainly be heard. Such evenings are long and dreary, unless people can find something to do; and so Anthony found it. There were not always things to be packed or unpacked, nor paper bags to be made, nor the scales to be polished. So Anthony invented employment; he mended his clothes and patched his boots, and when he at last went to bed,—his nightcap, which he had worn from habit, still remained on his head; he had only to pull it down a little farther over his forehead. Very soon, however, it would be pushed up again to see if the light was properly put out; he would touch it, press the wick together, and at last pull his nightcap over his eyes and lie down again on the other side. But often there would arise in his mind a doubt as to whether every coal had been quite put out in the little fire-pan in the shop below. If even a tiny spark had remained it might set fire to something, and cause great damage. Then he would rise from his bed, creep down the ladder—for it could scarcely be called a flight of stairs—and when he reached the fire-pan not a spark could be seen; so he had just to go back again to bed. But often, when he had got half way back, he would fancy the iron shutters of the door were not properly fastened, and his thin legs would carry him down again. And when at last he crept into bed, he would be so cold that his teeth chattered in his head. He would draw the coverlet closer round him, pull his nightcap over his eyes, and try to turn his thoughts from trade, and from the labors of the day, to olden times. But this was scarcely an agreeable entertainment; for thoughts of olden memories raise the curtains from the past, and sometimes pierce the heart with painful recollections till the agony brings tears to the waking eyes. And so it was with Anthony; often the scalding tears, like pearly drops, would fall from his eyes to the coverlet and roll on the floor with a sound as if one of his heartstrings had broken. Sometimes, with a lurid flame, memory would light up a picture of life which had never faded from his heart. If he dried his eyes with his nightcap, then the tear and the picture would be crushed; but the source of the tears remained and welled up again in his heart. The pictures did not follow one another in order, as the circumstances they represented had occurred; very often the most painful would come together, and when those came which were most full of joy, they had always the deepest shadow thrown upon them.
这个故事，最初收进1858年出版的《新的童话和故事》第一卷第一辑里。这个故事会使读者联想起另外两个故事：《柳树下的梦》和《依卜和克丽斯汀》，也会联想起安徒生本人——他也是一个老单身汉，所不同的是这三个故事中的男女主人公小时都是两小无猜，有过美丽的感情生活，但安徒生小时却没有这样的幸运——他没有任何美好的回忆。但安徒生一生的结束却又比那三个故事中的男主人公略胜一筹：他是躺在一个开杂货店的朋友家里呼吸他最后一口气的。但现在这个故事中的安东有整整两天没离开过他的床，因为他没有气力。天气的寒冷已经把他冻僵了……压倒他的东西倒不是发烧，也不是疾病，而是一只小小的蜘蛛——可是他看不见它。小蜘蛛兴高采烈地忙忙碌碌地围着他的身体织了一张蛛网。它好像在织一面丧旗，以便在这老单身汉闭上眼睛的那天可以挂起来。没有人照料他，因为当初他的老板雇用他当店员的条件是不准他结婚。这篇故事事实上是对旧社会提出的一个强烈的控诉——虽然它的调子是那么低沉。
勇往直前。
1、人一定要勤劳，通过自己的双手，改变自己的生活，有了目标后，就要坚持不懈，不怕苦不怕累，不能退缩，勇往直前，一定会达成所愿
2、安徒生童话故事《单身汉的睡帽》这个故事，最初收进1858年出版的《新的童话和故事》第一卷第一辑里。
1、这个故事讲的是一个德国名叫安东的单身汉的悲惨生活。安东年轻时和一位叫莫利的姑娘相爱，可这事却发生了一些变故，莫利说她从来没有真正爱过安东，而放弃了他。安东伤心极了，可接下来不幸的事情又发生了：一场洪水使安东的父亲破产了，变成了一个穷人，贫病交加，安东的父亲悲伤和苦难折磨得他瘫痪在床。安东不得不从失恋的悲伤中走出来，担当起养家的重任。后来安东死了。不论谁后来戴上这顶睡帽，他都真的坠入幻境，做起梦来，他自己的故事变成安东的。
2、作者简介：
（1）汉斯·克里斯蒂安·安徒生（丹麦语：Hans Christian Andersen，1805年4月2日－1875年8月4日），他出生于欧登塞城一个贫穷的鞋匠家庭，童年生活贫苦。父亲是鞋匠，母亲是佣人。
（2）通称安徒生，丹麦作家、诗人，代表童话有《卖火柴的小女孩》、《海的女儿》、《拇指姑娘》、《皇帝的新装》、《冰雪皇后》、《看门人的儿子》《夜莺》、《丑小鸭》和《红鞋》等。安徒生生前曾得到皇家的致敬，并被高度赞扬为给全欧洲的一代孩子带来了欢乐。他的作品已经被译为150多种语言，成千上万册童话书在全球陆续发行出版。他的童话故事还被改编成舞台剧，芭蕾舞剧以及电影动画的创作。被誉为“世界儿童文学的太阳”。
今天的内容先分享到这里了，读完本文《「单身汉的睡帽」单身汉的睡帽》之后，是否是您想找的答案呢？想要了解更多母婴知识，敬请关注木妈妈,您的关注是给小编最大的鼓励。
